 2012, Pentax 645N, black and white film |  Issyk Kul, 1980, Pentax MZ-S, black and white film |  2016, Olimpus OM 1N, bw film |
|---|---|---|
 Bakay Valley, 2002, Pentax MZ-S, bw film |  2015, Olympus OM 1N, bw film |  2001, Pentax MZ-S, bw film |
 2002, Pentax MZ-S, bw film |  2006, Pentax MZ-S, bw film |  2001, Pentax MZ-S, bw film |
 1976, Zenith, bw film |  1995, Zenith, bw film |  1980, Zenith, bw film |
 1995, Zenith, bw film |  2001, Pentax MZ-S, bw film |  2002, Pentax MZ-S, bw film |
 2006, Pentax MZ-S, bw film |  2002, Pentax MZ-S, bw film |  2010, Pentax 645N, bw film |
 2015, Hasselblad 507CM, bw film |  2008, Hasselblad, bw film |  2002, Rolleyflex 2.8, bw film |
 2012, Pentax 645N, bw film |  2013, Hasselblad 500CM, bw film |  2008, Hasselblad 500CM, bw film |
 2015, Hassleblad 500CM, bw film |  2015, Hasselblad 500CM, bw film |  2013, Hasselblad 500CM, color film |
 2015, Pentax 67, color film |  2015, Pentax 67, cross process |  2011, Pentax 645N, cross process |
 2002, Pentax MZS, color film |
The Spirit of the Landscape
"The artist's landscapes grasp such sublte changes in nature that perception of his photographs requires no the pragmatic modern mind but silence, which reveals the hiddent spirit of a place.
Shailo's series of lanscapes "Baytic Mountains" and "Issyk Kul Lake" occupy a special place in his work because he constantly revisits those topics. Among the most significant works in this series are the photographs "The Evening Cape", "In the Direction of Night", and "Baitic Valley". Silence dwells in these ladnscapes. Time mingles with space. The real beauty of nature is imprinted in the cycle "without the title". The presence of an elusive, irrational moment defines Shailo's urban and natural landscapes. Shailo's photographs are timeless.
The might be called "archaic", because they capture what had been seen hundreds of times, but not recognized. This spirits penetrates all of Shailo's work" - Marat Sarulu